home > Exhibition Info
 
   

 
Disillusion

Photography 2nd year BA Photography Students
19 June - 17 July 2003


Disillusion by Brian Scott-Robson


The annual exhibition by second year students. This year the photographers have become somewhat disillusioned with the whole thing!

View  the Exhibition Online

 

Review
by Louise Thompson

Disillusion, a seemingly multi-faceted word that after seeing this current exhibition, breaks up into genres. With each artist’s interpretation brings new meaning to the word, resulting in a colourful array of emotive response. Issues covering politics, the environment, fear, the unexplained and the imaginary fuel these surreal works that would, in the view of Roland Barthe’s, offer punctum to the spectator.

   
 
   

Sometimes to over-do a recipe can bring bad taste, but this combination is complimentary, a feast for the eyes. Humanity is portrayed in a multitude of ways, categorised, characterised, and cut to tailor the artist’s intended meaning. Children, women, and men, young and old, revealed and concealed, kept prisoner or free of restraint. Within itself, the human race runs wild. Floating in their lost world, serpents of the sea reflect the same loss experienced by those above water. Fire, water, earth and air – the elements out of all hands as mother nature prevails. The stomach sinks. Disease. Exploring the withering physical, the demon cares not for spirit, rendering a lonely world for some. From waiting rooms to silent beds, they await a cure or wait to die.

Revealed in blood, animals meet their fate: loss of one life for another’s gain. Mass production, bred for reason, death without a qualm. Forced by false reliance, animals await their doom. In self-destruction, humanity offers no respect to the life here before it, leaving moral question in its wake.

Revealing their varied views, artists portray the body, mind and spirit, reacting to societal spells, and their casts on the innocent mind. Through abstraction, provocation and distortion, the viewer is thrust into a pool of disillusion. Although visually entrancing, the works offer a solemn look at realities so often ignored. Running itself over, humanity argues within its crazed psychology, and looking inward for advice, simultaneously ignites the repeated cycle.

Emotive expression portrays the world as seen from all sides. Beneath, inside, or right to the core, the viewer is lead by the hand of imagination, and the message is clear. In view of all the world bestows, we choose to disregard nature by cultivating the land with pointless war and poverty. Failing to realise that less is more, continual dissatisfaction demands more of too much, leaving the world with heartbreaking, unnecessary imbalance. With re-evaluation in mind, maybe we should view our neighbour’s garden, before we put value on our own. At the core, we share a fortune deeper than we know. Awareness is but another thing.

Let down, again.

We section off the land, segregate, communicate, and offer no answers to essential needs. A world of disillusion: it had to be said, and what a better way than this?