This subject is a critical analysis of the shifts in practice and theory in the visual arts as a result of the impact of technology; from photography to the computer. The subject proceeds from the advent of photography, and technological evolutions of the past hundred years, to the destruction of the concept of the "original" as a unique art work; to mass reproduction, and the influence of installation, sound, and audio technologies. The culture of interdisciplinary arts arising from the breakdown of traditional art forms is examined to give context to hybrid arts, and art as text, and to study the altered relationship of artist to media, and of artist to audience, at the end of the twentieth century and on into this one.
School of Communication and Creative Industries
-Advent of Photography/ from Degas 1880s -Transformation of the Portrait -Origin of Originality/ Marcel Duchamp -Prerequisite to Authenticity/ Walter Benjamin -Demise of the Image/ Baudrillard -Installation/ Sound and Audio/ From Joseph Beuys -Age of Reproduction/ Warhol -Art and Text/ Conceptualization 1980s -Interdisciplinary Art -Electronic Art/Digital Arts Media
The information contained in the CSU Handbook was accurate at the date of publication: May 2019. The University reserves the right to vary the information at any time without notice.